| | 2nd Avenue |  MacArt Group
2727 NW 2nd Ave
Miami, Fl 33127
305 572 9860
EMAIL
WEB
Hours: Mon - Fri 10 - 6
Saturday by appt. Opening Night Reception
September 12, 6 - 9 | 
Tico Torres, Nude #2 - Original Painting on Canvas
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| Tico Torres. Preview
Torres walks to the "beat of a different drum". As a world class musician, internationally recognized for his gift and talent, he has over the past years expanded his artistic endeavors to the world of fine arts.
His aspirations as a painter are as ambitious as those asTico the musician. His growing body of work continues to receive notice of collectors and the art press. Whether sketching while on tour with his band, Bon Jovi, or painting in his New Jersey studio or home in Florida, Tico's inspiration comes from life experiences.
MAC Art Group is previewing several works by Tico Torresthis fall in anticipation of his major exhibition scheduled during Art Basel. |
| alejandra von hartz gallery
2630 NW 2nd. avenue
Miami, Fl 33127
305 438 0220
EMAIL
Gallery hours:
Tues - Fri 11- 6
Sat 12 - 5
August by appt. only Opening Night Reception
September 12, 6 - 9 | 
Ameztoy, The Sources of the Nile 1, 2009.Acrylic on mylar,
49 x 51 1/4 x 8 in
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Manuel Ameztoy.
The Sources of the Nile
Ameztoy displays a wide range of pieces that fully represents his diverse work and its most recent evolution: paper cutouts in Plexiglas boxes, paintings, textile cutouts, and photographs of land-art interventions.
Ameztoy’s most recognizable work are the handmade-cutouts contained in Plexiglas boxes, and have been previously shown in the United States on various occasions. The pieces for the current exhibition make up a series of highly elaborate pieces of painted cutout curtains of mirrored mylar, reminiscent of the handcraft techniques of Mexican “papel picado” and Japanese “kirigami”. As in a fantastical scene, the vegetable pattern cutouts of acetate mirror unveil the depths of a pristine forest where Hokusai’s explorers share a vision of The Sources of the Nile.
These same intricate cutouts are multiplied and serve as stencyls that give birth to a series of paintings. On the canvas, the image works as a motif, a cliché that modifies itself thanks to repetition. Ameztoy appeals to our imagination. As stated in a recent interview, “I create the paintings and the boxes overlapping many layers of images. I intend to produce visual instability; pieces that show an image partly-produced and partly-invented by the imagination of the observer, the “beholder”... I like it when the memory of what was seen remains unstable, like in dreams.” |
| Dina Mitrani Gallery
2620 NW 2nd. Ave.
Miami, Fl 33127
786 486 7248
EMAIL
WEB
Tues - Fri, 1- 5 and by appt.
Opening Reception September 12, 7 – 10
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Pablo Cabada, Dos mundos, 2008, Archival pigmented print, edition 5, 44 x 55 in
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Pablo Cabado. Recent Work
Pablo Cabado, Guggenheim Fellowship recipient in 2002, was born in Buenos Aires, Argentina, studied photography in Mexico City and since then has been exhibiting his photographs in the U.S., France, Italy, The Netherlands, Cuba, Mexico and Argentina.
The photographs in this exhibition are a selection from two separate recent series, one in color and the other in black and white. The color project, 37°57'35 S 57°34'49 W documents a mysterious and abandoned amusement park, inhabited by ruined rides and the echoes of the culture that once was. His black and white photographs also explore buildings and dark landscapes where life once thrived. All of Cabado's images are created with a keen eye for texture and a sensibility for tonal gradations that are a feast for the viewers' eyes.
Among his many grants and awards, Cabado was given the Young Photographer of the Year in the ICP of New York (New York 1989), the Mother Jones grant (San Francisco 1990) and the Gran Premio de Honor del Salon de Artes Visuales (Argentina 2000). His work is included in museums and private collections in Latin America, the U.S. and Europe.
Cabado currently lives and works in Buenos Aires. He photographs with a large format camera (8x10" and 4x5") and travels in his 1971 Ford Falcon. |
| PanAmerican ArtProjects
2450 NW 2nd Ave.
Miami, 33127
305 573 2400
EMAIL
WEB
Gallery hours:
Mon-Friday 9:30- 5:30
Saturday 12-5:30
Opening Reception September 12, 6 – 9
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Gustavo Acosta, The Glass Shield, 2009, Acrylic on canvas, 96 x 64 in
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Gustavo Acosta & Carlos Gonzalez
Flying was a dream and an obsession for centuries until the airplane was invented. Although now we are able to fly assisted by mechanical devices, we still look at birds in a mix of wonder and envy. As a result wings are seen as the means of transforming, and flying as the ultimate metaphor of freedom, the image of total liberation.
Here we have two contemporary Cuban artists whose works are connected to this idea: Gustavo is using it as a resource for his paintings and Carlos is more interested in the actual possibility of flying, translating this interest to his sculptures. |
| dpm Gallery
2441 NW 2nd Avenue
Miami, Florida 33127
305 283 4480
EMAIL
WEB
Gallery Hours:
Thu-Sat 12 - 5 or appt.
Gallery Night Reception
September 12, 6 - 9
|  Roberto Noboa, El tennis me sirve de pretexto para pintar, Acrylic canvas, 2009, 70.9 x 47.2 in
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Roberto Noboa Vallarino
El Tennis me sirve de Pretexto para Pintar
“El tenis me sirve de pretexto para pintar, se trata de pintar antes que nada. Desde comprar tubos de pintura, y ponerla sobre la tela, el papel o lo que sea, es lo mejor. Pinto para crear mundos en base a recuerdos y cosas que vivo y veo. Las canchas son espacios abiertos que contienen formas geométricas, a veces, se mezclan con otra fascinación que siempre he tenido que es pintar animales. Ahora trato de mezclar estas cosas y también aparece un tenista, o un encordador de raquetas que por alguna razón me hace pensar en Vermeer. Ahora me ha dado por poner alfombras en las canchas, definitivamente me gusta el efecto, sobre ellas, mesas de ping-pong. En el cuadro “Era Diciembre y hacia frío, escapó tan rápido como pudo”, se ven sillas elegantes a un lado de la cancha, estas sillas pertenecen a un grupo distinguido de jueces, la persona que vivía en este espacio y protagonista de la obra no aguanto más y a pesar del frío, escapó. La cancha de tenis al igual que la vida esta llena de jueces. Todo lo pinto más o menos rápido, tengo cuadros de grandes formatos que tienen una sola fecha y tengo unos pequeñitos que comencé hace 3 o 4 años que todavía no termino”. |
| Lyle O. Reitzel Gallery Miami
2441 NW 2nd Ave.
Miami, Fl 33127
786 693 8155
305 573 1333
WEB
EMAIL
Gallery Hours:
Wed to Sat 12- 5 or by appointment
Opening Night Reception September 12, 6 - 9 |  Luciano Goizueta, Lo que Subyace, 2009
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Shuffle by Luciano Goizueta,
& Collective Show
"Shuffle" first ever Solo Show in USA by the emerging artist from Costa Rica, Luciano Goizueta @ Lyle O. Reitzel Miami new larger space in the same address.
Running co-lateral with the COLLECTIVE SHOW featuring:Jose Bedia, Cruz Azaceta, Duval Carrie, García Cordero, Gerard Ellis, Jorge Pineda, Victor Payares, Hulda Guzman, Gustavo Peña, Juan Erlich.
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| Alternative
Gallery
2294 C NW 2nd Ave.
Miami, Fl 33127
786 236 7132
EMAIL
WEB
Galllery hours:
Wed - Sat 11 - 5
Grand Opening Reception September 12, 6 - 11
|  Cedric Couturier
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Aurore Valade. Cedric Couturier.
Clement Collet –Billon
Aurore Valade asks people to play their own role in their own interior. The scene is long worked: settlement of figures, installation of the game and the comedy played by extras, study the placement of the objective according to available spaces to create a composition balanced. The result is a theatricality of the image that everything is a sham from a reality yet very close. We discern no longer the boundary between fiction and reality, only the mystery fleet in these scenes whose aim is to make us appreciate this everyday banality that eye never take care to observe.
The reflection of Cedric Couturier is based on observation of body and its reactions in the everyday situations: he distinguishes opportunities driving the body according to the various tensions created by outsider body; he observes how the body floats in space, occupies a volume and can go beyond its limits in morphological in emitting sounds. The installation of the artist’s work, with simple material becomes a genuine scientific approach, which is to produce experiences, whose the artist does not know the outcome.
The material used for Collet-Billon to image the impalpable, whether specifically body heat or by domestic violence that may arouse in us all the excitement of a licentious desire, are used to establish a sort of mental connection between the viewer and the canvas. And it is also in this report that the artist creates a meeting between the subject and the work, which shows images that makes our subconscious to aim at physical satisfaction.
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| Harold Golen Gallery
2294 NW 2nd Ave.
Miami, Fl 33127
305 989 3359
EMAIL
WEB
Only by appt. Opening Reception September 12, 7 - 11 |  Thorsten Hassenkamm,
Go Ape Shit,
Acrylic on Masonite, 10 x 40 cm
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Thorsten Hassenkamm. Paintings
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| Durban Segnini Gallery
2145 NW 2nd. Ave.
Miami, Fl 33127
304 774 7740
EMAIL
WEB Open day & night 24/7
|  Jesus Soto, Penetrable BBL Blue, 365 x 400 x 1400 cm., 1999, Edition 2/8
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| Jesus Soto
Penetrable BBL Blue, 1999
Enjoy this spectacular Soto at Durban Segnini new open space in Wynwood. Soto was a Venezuelan artist (1923 – 2005). He was a sculptor and painter and is most famous for his op art and kinetic art works. Soto is particularly well known for his penetrables, interactive sculptures which consist of square arrays of thin, dangling tubes through which observers can walk. It has been said of Soto's art that it is inseparable from the viewer; it can only stand completed in the illusion perceived by the mind as a result of observing the piece.
Durban-Segnini Gallery was founded in Caracas, Venezuela, in 1970 and in Miami, USA in 1992, by its present director and owner Mr. Cesar Segnini.
Durban-Segnini Gallery specializes in contemporary painting and sculpture, emphasizing in artists who have worked with abstract expressionism, geometric abstraction and kinetic art.Simultaneously, the Gallery strives to promote and diffuse new artistic values as well as the historical vanguards that have influenced those.
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| Abro Gallery
2137 NW 2nd. Ave
Miami, FL 33127
786 348 2100
EMAIL
WEB
Gallery Hours:
Tues - Sat 10 – 7
Gallery Night Reception
September 12, 6 - 9
|  Ada Balcacer, Red Fish II, Mixed Media, 2008, 50 x 60 in
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Maximo Caminero. Ada Balcacer. Domingo Batista.Aurelio Grisanty.Domingo Liz. Freddy Rodríguez. Marian Balcacer. Josafat Miranda.
Miranda presenting his paintings titled Forgotten Machinesbased on his interpretations of Baudrillards book “ the perfect crime”.
Grisanty. From one window, techniques and compositions form different versions of the same landscapes.
Rodríguez. Baseball in the Dominican Republic is a passion. With creative effort he integrates Baseball to his art.
Batista. A master in the art of photography.
Liz. His drawings have been titled asThe writings of the Ozama River on the East bank of Santo Domingo, a place where he has lived and work all his life.
M. Balcacer. Her series of Veggies show pictures that look like hand pencil drawing in color plus white and black on the tradition of the classic Italian chiaroscuro.
Caminero. Inspired on pre-Columbian expressions his works present a new conceptual vision of the historical source.
Ada Balcacer. A prestigious name in the Caribbean Region, inspired on the Fl. Everglades presents her view of mystic tropical flowers with her unique style. |
| | | West of 2nd avenue | Luis Perez Galería at the Awarehouse
550 NW 29th St.
Miami, Fl 33127
305 379 3763
EMAIL
WEB
Closing Reception September 12, 7 - 10
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| Colombian Export
Diego Arango. Luis Caballero. Victor Laignalet. Rita Hinjosa. Alfredo Lleras. David Manzur. Edgar Negret. Saturnino Ramirez. Eduardo Ramirez Villamizar. Group Show of both contemporary and classic Colombian masters. |
| Bakehouse art complex
561 NW 32 St
Miami, FL 33127
305 576 2828
EMAIL
WEB
Gallery hours:
Mon - Sun, 12 - 5
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September 11th – October 1
MDC Kendall Campus Faculty Show
Location: Bakehouse Art Complex Main Gallery, 561 NW 32nd Street.
Opening Reception Friday, September 11th 7-10
The Miami Dade College Kendall Campus Art department is proud to present a group exhibition of 19 full and part-time art faculty. Their works encompass a variety of mediums and include the following disciplines: Painting, Printmaking, Sculpture, Jewelry, Ceramics, Mixed Media, Photography and Video.
Artists with a national and international reputation, their works have been featured in major galleries in Miami, New York, Seattle, Atlanta, Chicago, Japan & Denmark.
September 17th – October 1st
Recently Acquired
Location: Miami Dade College Kendall Campus
Main Gallery: 11011 S.W. 104th Street. Miami, FL 33176
Opening Reception Thursday, September 17th 6-10
The Bakehouse Art Complex and Miami Dade College, Kendall Campus have swapped for the month of September. BAC will be hosting the work of Faculty from MDC, while the Main Gallery at MDC (mdc.edu/kendall/artandphilosophy/. ) will exhibit the work of 13 BAC resident artists, all of whom have taken residency at the BAC over the past 6 months.
These Recently Acquired artists will explore a variety of media. Artists include Steven Bursynski, Daniel Fila, Ross Ford, David Martinez, Deborah Mitchell, Hugo Patao, Mike Rivamonte & Alex Yanes. Curated by: Lauren Wagner |
| D&G Art Design Gallery
540 NW 28th St
Miami, Fl 33127
305 438 9798
f: 305.438.9799
EMAIL
WEB
Private Showings by appt. Gallery Night Reception
Saturday Sep 12, 7-10 |  Blake Fisher, Rocky Beach, Black & White photography on film, silver gelatin print, 2007,
20 x 24 in.
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Blake Fisher. Patricia Schnall Gutierrez.
Bruce McQuiston
Blake Fisher.
Photography
Fisher was born in Minneapolis, Minnesota. He started as a commercial photographer yet maintained a love of fine art photography, principally nudes. His work is printed on silver gelatin paper and in limited editions, focusing on the female form as one of the most timeless subjects in photography. Patricia Schnall Gutierrez.
Raw. Curated by Luky Cancio
The driving force behind her work stems from childhood memories and recollections of experiences as a young girl growing up where religion and life’s delicate teeter-totter with life and death existed. Bruce McQuiston
Sculptures
His work combines organic forms with figurative reference and a contemporary flow. The pieces are constructed from hurricane salvaged lumber from the South Florida region. His recent Bronze and Aluminum castings utilize the wood pieces as the source for the mold making |
| Yeelen Art Gallery
250 N.W. 23rd St. Unit 306
Miami, Fl 33127
954 235 4758
EMAIL
WEB
Gallery Hours:
by appt. only.
Opening Reception:
September 25, 6:30
Reservation Only:rsvp@yeelenart.com
|  Jerome Soimaud, Kanzo, pigment on glossy photo paper, 2009
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September 25- November 22
Jerome Soimaud’s “Kanzo.”
An exploration of Miami’s Little Haiti alongside the members of Vaudou Lakay. Yeelen Art Gallery proudly presents Jerome Soimaud’s photographic account of Vodou culture, which carries in its corps the DNA of Africa. Kanzo, is the holiest sacrament of Vodou, it is the beginning. Through this initiation we discover the aestheticism and energy of this misunderstood religion. |
| | | 36th street | Dot Fiftyone Gallery
51NW 36th St.
Miami, FL 33127
305 573 9994
EMAIL
WEB
Gallery Hours
Mon - Fri 11:00 - 7:30
Sat 1- 6
Private viewing by appt.
Gallery Opening Reception September 12, 7:30 - 11
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Natalie Silva, Mona Lisa, Mixed Media on Canvas, 2009 ,
67 x 63 in
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| Until October 30
Natalie Silva. Girls with Guns
“ Girls with guns” paintings are a series of women casually, and poignantly, based on those heroines who played lead roles in crime thrillers from the late 60s and 70s. The works of this Italian artist is the result of “victim vs. predator”, a sort of full circle on the series done in the past. It’s a playful vision regardless of the lethality of the gun, although guns don’t kill… people do. These paintings reflect a power struggle of the perception or prejudice we have toward the symbolism of weapons and the softness of women. Almost 40 years later, Natalie Silva decided to pay homage those inspirational women by bringing them back to the XXI century in a very personal way, giving them life with her artistic and talented sensibility. Natalie Silva considers herself a painter, not an artist. In the duration of her career, one of her most predominant features that have been constantly pointed out is her conciseness. The gift and the curse of always being present, to experience things as they happen, is an aspect that can give us both great pleasures as well as great sufferings simultaneously, depending on our sense of humor and on chance. This attribute is blatantly depicted when looking at one of her paintings.
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| | | North Miami Avenue | Hardcore Art Contemporary Space
3326 N Miami Ave.
Miami, Fl 33127
786 488 4375
EMAIL
WEB
Gallery hours:
Tues - Fri 10 - 6
Sat 11 - 4
Opening Reception September 12, 7 - 10
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Milcho, "III", video/scupture, 2009
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| No Criteria. IV New Media Festival The 4th installment of Hardcore Art Contemporary Space’s New Media Festival with title “No Criteria”, will have crawling giant ants, fighting betas, cooking movie stars, rain storms, live crickets, the premier of a music video much more. With an assortment of artists from all over the world, HACS’s curating of this proposal is by of Andreina Fuentesand Rochi Llaneza. Some of the artists exhibiting are:Jonathan Rockford’s 3 piece installation “Transmissions”, Berta Jayo’s “I’m So Sorry”, Maria Lino’s RAIN, Robert Zuckerman’s GUMBONATION, Marcos Montiel-Soto’s LA MEMORIA ES UN LABERINTO and LA RUTINA SUBTERRANEA, Carlos Trilnick, Juan Requena, MILCHO’s “III”, Norma Gatan, Rochi Llaneza’s video/sculpture on the bleaching of coral reefs, the premier of music video by upcoming rock band “Dear Dad Yours Truly”, among others . Also opening:
Mariano Costa-Peuser. Anti-Art Man. Photography. |
| Ideobox Art Space2630 NW 2nd. Ave.
Miami, Fl 33127
305 975 4366
EMAIL
WEB
Gallery hours:
Mon - Fri 9 - 5 Sat: by appt.
Opening Reception September 12, 7 - 11 | 
Carola Bravo, Serie Estrías, 2009, grafito y tinta sobre mármol y pared, 2mts x 2mts. Instalación.
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Carola Bravo. Rodrigo Echeverri.
Francisco Salazar.
Linear Memories.
“My cartographies are great maps profoundly deployed, as though if the geographic letter of a territory acquired an additional dimensionality of the plan. These are maps that have to be acted. It is in this sense that I want to propose you understand the scenery of these cartographies, like theaters of territories: scenes where space makes space its own representation a representation that is not given beforehand but that is activated in each placement; that is, in each new journey somebody takes over its planes.”
Carola Bravo: Born in Caracas. Venezuelan contemporary artist. Lives and works in Caracas. |
| Diana Lowenstein
Fine Arts2043 N Miami Ave
Miami, Fl 33127
305 576 1804
EMAIL
WEB
Gallery hours:
Tues– Fri 10- 5
Sat 10 - 3
Opening Reception September 12, 7 – 10 | 
De Villasante
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Horacio Sapere. Vickie Pierre. Solo Shows Carlos de Villasante. Project Room Horacio Sapere. Alternate Combinations
Alternate Combinations builds on the implication of a long-standing body of work connecting the many threads of this thoughtful painter's work. While predominantly known as a painter, Sapere has always brought a conceptual approach to the media.
Vickie Pierre.You Poor, Sweet, Innocent Thing
“Within my paintings and drawings, rubber stamp imprints of fictional female icons are converted into a world where the line between abstraction and representation is blurred. The works are primarily comprised of the dresses of the "three graces" of the fairy tale animation world: Snow White, Sleeping Beauty and Cinderella....”
Carlos de Villasante–.Short Form
“In theatre, Short Form follows an improvisational spontaneous format. My paintings likewise follow intuitive suggestions, accidents and interventions. I use automatic mark-making to oppose precise graphic representation in my portraits. I then rely on my sensibilities to suggest which next step to take, much like in theatre when the audience’s suggestions guide the performance.” |
| | | 29th street The corridor | Kelley roy Gallery
50 NE 29 St. N Miami Ave
Miami, Fl 33127
305 444 0004
EMAIL
WEB
Gallery Hours
Tue - Fri 10- 5 and by appointment
Gallery Night Reception September 12, 7 – 10 |  Senastian Spreng, Handmade Horizons, Distant Lights,
Oil on Canvas, 30 X 30in
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| Until September 30
Sebastian Spreng. Handmade Horizons Songs
Spreng’s work, what he calls “inner landscapes”, portrays the internal projections of the viewer outwards thru his paintings. In October, the gallery will welcome Patricia Claro’s Re-Corte, whose central theme is water as an infinite source of reflection. . Also showing
STRUCTURES, by renowned sculptors John Henry, STRETCH, Henry Lautz, and Robert Thiele.
Adjacent Space |
| | | 23rd. Street | artformz Alternative
171 NW 23rd Street
Miami, FL 33127
305.572.0040
EMAIL
WEB
Summer Hours – almost always:
Tue – Fri : 11 - 6
Sat: 12 - 5
by appt anytime Opening Reception, September 12, 7 0- 10
|  PJ Mills, Two Mojos. Photograph, unique piece, 18” x 30” Ray Paul, Munny 1, Acrylic and enamel toy, 5 x 5 x 5 in
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| Until October 3
Paintings of Ray Paul & Photographs of PJ Mills. Recent Work Artists Collaborative Performance.
Project Room Paul & Mills present their newest works.
Artformz is very pleased to announce a collaborative, interactive, performance in the gallery’s project room. On 2nd Saturday, Wynwood Art Walk Night, visitors to Artformz will participate in an unusual project. They will be able to add one of their personal items to a still life arrangement created by the artists.
Photographer PJ Mills will arrange his signature lighting and shoot the composition. Prints will be displayed digitally and visitors will be able to order photographic prints they have helped create. Both artists who have dedicated personal interests in supporting often-overlooked Hospice Care, will sign all prints. We welcome everyone and urge participation in this very special event. All proceeds will be donated to Hospice.
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